Major Sacred Choral Works

One of Bach's most celebrated choral works is presented here with the original German text and a singable English version in an Urtext edition for soloists, choir and orchestra. For the composition of the

With regard to the anniversary of the Reformation in 2017, this version for solos, choir and organ by Torsten Sterzik originated to pave the Reformation Symphony's way into the church as well, restoring the

Wolfgang Amadeus Mozart's version of Handel's well-known oratorio. This edition is edited by August Eberhard Mueller and Johann Friedrich Rochlitz. The orchestration is scored for SSATB soloists, SATB

The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five

The “Missa in c” was so dear to Mozart that he cited it as “evidence of the reality of my vow to marry” his beloved Constanze and to complete the only half-finished mass.

This cantata has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work

Johann Sebastian Bach composed his St. John Passion for a performance on April 7, 1724; he produced further, slightly divergent versions of the work in the years 1725, 1732, and 1749.

Based on Bach's original score and the copies he made himself, this Urtext edition of one of his greatest choral masterworks preserves the original German text and score. The continuous flow between