Sacred Music for Brass

Ave Verum Corpus is one of Mozart's most famous pieces and has even been described as "perhaps the loftiest work of art that Mozart has created." It is simple and a perfect piece to develop a

This five movement suite of Bach and Handel masterpieces is a diverse and practical resource for brass quintets in church or on stage. Whether performed in its entirety or as individual selections, this

This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an

An unaccompanied trumpet trio begins from the "git-go" with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads into the next

An unaccompanied trombone (opt BHTC) trio begins from the "git-go" with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads

What a fabulous collection! This resource offers 59 hymn settings, at the intermediate level, for two B-flat trumpets and two tenor trombones to be used with congregational singing. The settings all begin

A quartet for two trumpets and two trombones the piece begins in a straight forward fashion. A second verse uses a duet statement and the adds fanfare flourishes. Transition material uses imitation and a

A festival hymn setting by Jacob B. Weber on the tune O DASS ICH TAUSEND ZUNGEN HATTE (DRETZEL) composed for trumpet and organ or simply organ solo. Practical throughout the year, this arrangement will be

A fun set of four titles for tuba and piano. The music paints the scenes and moods embodied in the titles by way of tone painting. Titles include: A Walk in the Park; A Walk at the Beach; A Waltz

Ideal hymn accompaniments for festive congregational singing and for performances by brass alone. Flexible instrumentation, with optional keyboard accompaniment, makes the arrangements adaptable to many

This four-voice canon on the tune Lo, How a Rose is a great piece for opening a concert, or appropriate for putting together a quick piece for Church services.

In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same

This famous work for young band is available in an arrangement that can be performed by a variety of instrumental ensembles. All the sensitivity and musicianship of the original are evident in this

This chorale prelude is in the form of a fantasia as it uses phrases from this hymn interspersed with a lot of free material. It can serve as either a prelude or postlude. The trombone uses a syncopated